An Experiment in the Everyday

Places are fragmentary and inward-turning histories, pasts that others are not allowed to read, accumulated times that can be unfolded but like stories held in reserve, remaining in an enigmatic state . . .
[Michael de Certeau, The Practice of Everyday Life, Walking in The City] 

This past September, on my second day of being an Outsider, I walked from Exposition Park to Murray Street Coffee on the eastern edge of Deep Ellum.  I took a photograph of the streak of light that streams down at noon between the eastern and western lanes of traffic of the Route 30 overpass. For the past six months, I’ve continued to capture moments of the unexpected and of the delightfully mundane within a relatively small walking radius of our office on Exposition Avenue.

At first I knew nothing about where I was. I knew nothing about Exposition Park, or even anything about Texas. Everything was different, the plants were strange, the heat was brutal, the sun a bit blinding. It was easy to meander, to get just a little bit lost. It became midday ritual of wandering around the same few blocks in search of the unexpected.

It also became an experiment in seeing. I wanted to walk around the same block three or four times a week, and to see something that I hadn’t seen before. Eventually, I would know when a dumpster appeared, and when it left, when the rain caused a sidewalk to sink and crack even further. I know when the last leaves fell from a tree, and when the first tinge of green appeared.

In September, Peter Graves posted about his research into the history of Exposition Park by studying historic maps. This is another layer to that same story. As landscape architects, we have many ways of learning about a place. There are maps, and data. There are the stories of the place and its people. But there is also careful observation of the material condition of place. An observation of material that tells a story of people and processes.

This series isn’t about the exact composition or resolution of each image. It’s about looking at sidewalks with curiosity to learn their stories. It’s a practice in the everyday act of walking, and a practice of seeing. It's a practice of being able to get lost in your own backyard, and to look with wonder at the spaces that you thought you knew.

Photos: Studio Outside Plays Bocce on the Street....Again

After [PARK]ing Day, we decided that one day wasn't enough use for our modular bocce court. So, the next logical step was to have an impromptu [PARK]ing Day Part 2 right in front of our office! Coincidentally a few hundred feet from the entrance to the Texas State Fair which was in full swing, we set out last Friday to see how long we could park our 30-foot bocce court on the street before we had to take it down!

The court took up about two parallel spaces, at a premium during the fair. But we had a lot of people walking by, watching us play and talking - giving Studio Outside a little bit of street presence (literally).

With some Serious Pizza in hand, the day was off to a great start. 

And then....the inevitable happened. We were kindly asked to vacate the premises by a DPD officer and two companions which I assume have something to do with parking enforcement. 

At the end, we were happy to have our bocce court urban installation up for more than 6 hours on a Friday! Hopefully we animated the street and sidewalk a little bit and added some interest to some of the fairgoers' day.

All photos by Charlie Pruitt.